Poetry, Page 1
He Plays
The Guitar
Walking
into the room
A gentleman
such as he
Would
say I wore
A dressing
gown.
He didn't
see me there,
Touched
his sweet guitar,
Played
a lonely note
And
then an octave higher.
The
unison and symmetry
The
other half was to be me.
He put
the guitar
Outside
of the room
"Business
stays there,
In here
is pleasure."
I brought
it back in,
I said
to mix both
He poured
us red wine,
We had
a toast.
The
unison and symmetry,
The
other half was to be me.
He took
my wine,
We both
stood up
He took
my hands
In them
he poured one glass.
He drank
from it
Then
I did the same,
Our
eyes met like
The
first time again.
The
unison and symmetry,
The
other half was to be me.
I touched
the guitar,
Still
warm from his hands,
I knew
what he needed
I felt
his demands.
He looked
in my eyes
And
saw how I saw,
Though
we'd kissed times before,
This
was our first.
The
unison and symmetry,
The
other half is now me.
Protector
It's
made of what used to be living.
The
spirit drums there still
As does
the maker's.
Was
it worth that rabbit's life
To protect
my living space
And
to help its companions on my wall
To guard
my precious tell tale dreams?
My ancestors
thought so.
Could
they send it to protect me;
To bundle
me in their furs against the biting coldness evil?
It's
a different time
But
the frame is full circle
It's
all symmetrical
And
the ocean's centered streak
Is my
own creation,
So that
I am a part of it,
It is
a part of me.
Tresses,
wooden beaded ends,
I let
it sing.
Note:
The above poem was written for my poetry group. The weekly theme was 'an
object.' I wrote it about my dreamcatcher and old pictures of the Beatles.
Glad
To Listen
Don't
leave me here
Or play
into my fate.
This
hour of darkness
Is sooner
than late.
Crisp,
cold air moves
Around
and about.
When
I let you in,
You
chase it out.
Your
muse stuck in meter,
My head
stuck in rhyme
Constance
eternal,
Love
last all time.
For (A
very special person!)
I came
into the London flat,
He was
outside
Seemingly
upon the balcony
Romantic
balcony
Perhaps
awaiting me
Although
I was rather early
I did
not catch him on unawares
Or at
least he did not act so.
Thinking
I would find him there,
Stargazing,
waiting awaiting something
Away,
I wanted
to greet him with a touch.
Looking
on the balcony,
Confused
and worried
What
had happened...
His
calm voice called from a ledge
"I'm
here."
On the
table first I saw
His
keys;
Empty
glasses waiting to be filled
With
uncorked wine.
Following
the glare of light
Moon
its source
Reflected
on the glass into his eyes
He sits
on an outcropping brick ledge,
Outstretched
legs he watches over the city;
A protector.
Outstretched
hand I touch the tips of walking over
In the
moonscape
To the
streets below I show my fear at which he smiles
And
nods to urge me over
Taking
hold of my hands then my hips he leads me on
The
balance beam of brick
And
trust.
At last
I rest upon the narrow ledge,
I am
safe with him now
And
I ask the man of building
Why
this ledge was built here.
He says
it is because
He would
someday sit here with me
But
I asked for a more logical explanation
For
I answer with poems
And
he with musical equations.
"There
is a fault line
Seven
blocks west.
This
house and you,
My treasure,
Shall
not buckle within
Upon
its hunger."
And for
safekeeping,
I am
wrapped in his arms
As he
overlooks the city.
The
following is about my father, but includes a significant, loving contrast.
The Lonely
Painter
You have
fallen
From
the Sky
And
your wings fell into a stream
of Poetry
running through me out of me to me to you
What
you left unfilled in me
Must
remain so
Question
mark.
You have
fallen
For
today
And
every car door slam
Black
Lincoln Continental
Makes
me hide in its shadow
Who
I am not.
Who
am I not?
Every
Italian man is precisely
Uncharmingly
Unhandsome Unattractive Unreeling
Emotions
Unfeeling.
Lyrical
being believing in the blond blue
Man
of Celtic descent that still puts up
A decent
fight
Against
you, Roman.
Your
vines of wine and fake fine
Artistry
'Lover
divine'
Will
strangle to death
All
that is a part of you
And
then some of me
Vindictively
Before
whatever comes of the future
This
one's just about a working class guy vs. any random famous snobby guy.
(or any president we might know). The working class guy was kind of inspired
by John ("working class hero") and the actual character somewhat buy Paul
in retrospect although I wasn't really thinking about him when I wrote
it.
Pulses
He has
to feed his children,
The
man with a hammer.
His
pay is minimal
He is
faithful to his wife,
Only
she makes him feel special,
Although
he is so integral to our worlds-
That's
how it should be.
He makes
so little
Takes
so little,
And
finds happiness in simplicity.
We admire
men on pedastals
When
we should be looking
Amongst
ourselves.
He hits
the golden spike in place,
(People
below
The
raised above
What
must we do to stay in love?)
And
moves his family on.
This
one was done after i felt the wind blow in my hair at the Dodge Poetry
Festival. It's a memory poem I guess:)
Wind
Wind
blew in my hair today.
Brushed
back to a concert,
Wind
blown in black car
Driven
by a familial stranger.
Not
brushed back by their hands.
Brushed
back to what could have been,
What
we wish to forget
Theng act was only background music
Tone
setting themes setting singe-ing sweet fire
I knew
he was different
Not
a father
Not
a liar.
Wind
blew in my hair today
Hippie-long-shining
it could be
But
strangely untangling
Embracing
the wind as a dreamcatcher
Release.
Perfect
Pitch
You smell
like shaving cream
You
came late to dinner,
At the
mention of sex
You
'sinner'
Feel
shamed
For
thoughts-
But
I care for you
Just
the same.
He smokes
like a chimney
of
sweet
smelling waves
From
the sea by which he stands.
Song
in one ear
Guitar
in one hand
He feels
regret
"I do..."
Understand.
Hands
up behind me
A burning
forest
Cannot
breathe the air surrounding
A tree,
she branches roots reaches
Mutes
the pain of fleshy pith away
On the
other side of the world-
Who
has perfect pitch today?
Raincatcher
(lyrics)
There
was a ghost in this town
He had
a calling
A calling
to someone
Somewhere
A Haunt.
There
was a lonely old dream in this town
But
the ghost caught the dream
And
Spirits are everywhere
They
are their our own Dreamcatchers.
They
played catch with the dream
Caught
it like a cold.
There
was a Holy Man in this town.
I don't
know which religion
Which
order
Which
sect,
But
he was a Holy Man.
He misinterpreted
our dreams
He made
them into stories
Pressing
like lips against
his
own God.
Flowers
pressing like lips
Moist
against the sun.
Fish
pressing for survival
Damp
against the rain.
Hiking
Life
is in a flux
and close wind
Blowing
out of the door
Not
in.
You are
a dream
Passing
down a river
Gently
luminescent
Sadness
in my sleep.
Posted
on a wall
On a
board
Is a
name
And
a number
They
are not yours
So I
will not call.
Camping
in a photograph
Atop
a pile of ruin in a river,
I am
a getaway.
There
is a hideaway.
The dwelling
is not perfect,
In fact,
it is not kind
To look
at
To most
eyes.
But
to yours, it is a gem
Soaring
to the sky
In someone's
eyes
Someone
pretty.
White
Rose
Is my
favorite.
Lifeblood
seeping into its petals
Damaging
it to perfection
Different,
like the rest
Like
all of them.
Snow
Tainted
with dreams
Humanity
morphing from its collapsed ruin
Crushing
Mr. Snowman into oblivion
A pile
among snow piles
Rocks
hidden below.
Clouds
Withholding
dark ruin rain
A perfect
picnic destroyed by deceit
Drenching
children with their conforming uniforms:
(Custom
tailored to make any child uncomfortable yet inconspicuous)
Before
I could smell rain
Or dig
bare feet into the mother ground
I was
that way
Indoor
and out
Outside
and in.
Noctourne
Deed
unforeseen
No action
inclined
No sense
impaired
Disgraced
to hollow
Fallen
emaciated empty ending.
Evoking
green to sacrifice
For
the harvest
The
full
Crescent
o be that moon swell
On the
ocean
Maternal
lullabye
Can
you sing?
Sleep,
precious, sleep.
Motions
of the oceans
Columns
fallen deep below
Impaling
the sands
And
all buried there.
Sand
smoothing surface
Be this
heart rough.
Be my
heart kind.
All
writing seen above is copyright Echo, 1999
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